Sifting basket made by Elizabeth Colwell (spelling in Jones' notes: Caldwell), daughter of Mrs. George Shogonosh. Bottom weaved on lap from above -- same weave as Mrs. Greenbird. Sides woven in usual way. Bottom is loose hexagonal weave, top is circular (from Volney Jones' 1933 field notes).
"Flying fish arrow" made by John Colwell, son-in-law of George Shogonosh. Made of shell bark hickory. Used in game -- each person having his own and throwing. Said to have also been used in hunting wild game, small game. Made with shaving horse and drawing knife -- sand papered (from Volney Jones' 1933 field notes).
One oval mat woven of hickory splints. Bottom is a solid woven base. Top side is fibrous, mostly natural but with occasional stripes dyed purple. Collected from Mrs. George Shogonosh. Won first prize at the Walpole Fair, 1932 (from Volney Jones' 1933 field notes).
Corn husk mat made of husks dyed with Turkish dyes. This mat won first prize when exhibited at the Walpole Fair in August 1932 (from Volney Jones' 1933 field notes).
Pressed specimen of oak collected by Mrs. Smith across from her house. Bark of this oak used in making dye (from Volney Jones' 1933 field notes, Field no. 11).
Pressed specimen of maple collected by Mrs. Hyman Smith in woods across road from her house. Bark under same number used in making dye (from Volney Jones' 1933 field notes, Field no. 10).
Open weave. Loose weave three-directional basket technique. This type of weave is said by Mrs. Smith to have been learned by her mother from the Ottawa. Mrs. Greenbird seems to be the only person on the island doing it at present. The carrying basket in Eddie Pinnance's barn is of this weave (from Volney Jones' 1933 field notes).
Pressed specimen of black walnut collected with Mrs. Hyman Smith behind the house of Charley Sword. Black walnut is rather scarce on the island. It is a strip of inner bark, ready to use as dye (from Volney Jones' 1933 field notes, Field no. 9).
Partly finished. Series of long fibers (rush) braided together along one end with three strands of plant fiber woven into same edge to hold all together. Remainder is loose, unwoven rush fibers. Fiber cordage is attached to edges and ties mat in rolled bundle (from Volney Jones' 1933 field notes).